Friday, 15 January 2016

7 January 2016. Husbands and Sons at the National Theatre



I heard some people at the interval complaining that this was not what they had expected and that they were bored and depressed. I can see how this could be one’s reaction as the play essentially got the audience to look in on the lives of three families in a mining community where not a great deal happened until towards the end. The three families were all on stage in different areas all the time with the action generally fading in on one group and away from the others – there was not a great deal of connection between the families apart from being neighbours.

Anne-Marie Duff was striking as the mother in one family with her young son, a suitor and an abusive husband. The second family highlighted the father who got very drunk and his daughter and her best friend. The third grouping was a mother and two sons – one of whom was married but had also got a local girl pregnant.

Without going through the whole story line, we followed the lives of these families and everything wandered along – until towards the end when there was an accident in the pit, killing the husband of Anne-Marie Duff.

I really enjoyed watching in on these families and felt the storyline was enough to maintain my interest. However, it was rather in the ‘grim up North’ mould and on reflection, I am not so sure what the ‘takeaways’ were. Certainly the (absent) pit owners got a bad press – their greed having compromised safety and caused the accident. The play did, nevertheless, act as an excellent evocation of a bygone age – of tight knit communities where everyone knew everyone else’s business.

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